Cine Lab, www.cinelab.com

Azden Pro Sound

DSLR Camera Settings, Lighting, and Camera Movement: Rig and Gear used to Shoot East of Berlin

4 Key Pointers of Film Marketing and Sales

How to Make Money in the Film Business: Two Methods to Consider

Show Me Your License: 4 Options for Licensing Music

Kids and Animals, Oh My: Working with Child Actors and Wild Animals on the Set

Who’s Driving the Bus? | The Filmmaker as Inventor

How ‘Not’ to Get Hired… And Why You Should “Never Say No.”

The Ins and Outs of Short Ends

Filmmaking Back in the Day… And What’s Possible with Today’s Technology

The Lure of the Dark Side: 5 Ways to Send Your Characters Down the Left-Hand Path

NightLights: Feature Film Shot Using RED MX, Panasonic AF100, and DSLR Cameras

After Casting: How to be effective, and build trust and respect

5 Big Distribution Myths: What Gets and What Doesn’t Get Distribution?

An Itemized Audio/Video Production List: Have All Your Angles Covered

Creating On-the-Fly Solutions On Location: But There is No Substitution for Pre-Production

Getting Financing for Your Independent Film: Ensuring Distribution and Choosing Scripts

What Does a Production Designer Do for Film Production? | A complex job description revealed.

Traveling with Your Video Gear: Knowing When to Take It, Leave It… or Carry It on the Plane

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