Limited time sale on Magazine Subscriptions, Books, and Workshops!
Free Shipping on Everything. Half Price Subscriptions offers on one year, and bulk orders. Get one year print for only $10 dollars. Make the holidays brighter with education and enlightenment as a gift to the filmmaker in your life or to yourself. Shop online now. If you have questions about your orders or need help use our contact form and someone will respond to your request shortly.
There are a lot of great new books on cinematography on my shelf now, and every one of them teaches me something each time I
At our film school, the Creative Media Institute for Film and Digital Arts, traditional tungsten Fresnel fixtures have been the main lighting instruments in the
STUDENTFILMMAKERS: Can you tell us about your work as the Lead Sound Editor and Foley Editor for Disney’s “Mickey and the Roadster Racers,” which received
Photo by Christina @wocintechchat Written by Carole Kirschner Congratulations! You just beat out dozens – if not hundreds – of other applicants, and you’re headed
ON-CAMERA AUDIO Award-Winning Filmmaker/Producer Carey Missler Talks Beachtek Interview conducted by Jody Michelle Solis StudentFilmmakers Magazine catches up with Carey Missler, certified, licensed drone pilot
Photo Entry: Winter in the Shenandoah Valley Photographer Profile Name: animagic Location: Front Royal, VA Click here to comment and post your reaction >> 2021
by Scott Spears So you’ve scraped together a few extra dollars to shoot film, but you’re still a bit tight on cash and somebody
Photo by Tina Vanhove. | www.tinagraphy.com | Follow Instagram @tina_vanhove Written By Sherri Sheridan Almost every scene in your film should have a
Photo by Štefan Štefančík. Follow Instagram @stefancikphotography. Is Your Script Ready for Its Close-Up? Written by Christina Hamlett Writing is—and has always been—a
Demystify the ‘Holy Trinity’ of Lighting by Dean Goldberg Key, fill, kicker; the holy trinity of lighting. It’s the first thing most novices learn in
Reference: StudentFilmmakers Magazine, April 2008. Audio for Television: Mixing the Basic “Event” Working in Reality TV by Fred Ginsburg C.A.S., Ph.D., MBKS. Pages 40 &
Pictured: Keaton Nye holding his RED filming a YouYube series. www.keatonnye.com Written By Richard La Motte If you want to be a filmmaker, where do
In the micro-budget world, we’re always endeavoring to craft a more cinematic look for our films. We’ll crop the footage to a wider aspect ratio,
A Conversation with Kenneth Zunder, ASC Capturing Cultural Touchstones Exclusive interview conducted by Johnny Lee Solis Since earning my first cinematographer credit on the television
Filmmakers Global Network :: Community Spotlight with Hummie Mann Composer. Orchestrator. Arranger. Conductor Body of Work & Current Projects: I lived and worked in
By Bryant Falk When we watch a piece of animation, it’s amazing how much we can take for granted sometimes. It’s fascinating to stop and think
Over the years I’ve answered many questions from students regarding lighting. One thing I want to emphasize is that what matters most is developing a
Hiro Narita, ASC has a filmography that includes over seventy-three titles ranging from feature films to episodic television series to documentaries. He is known
Reference: StudentFilmmakers Magazine, April 2008. A Conversation with Cinematographer John Seale: ASC Format and Digital Technologies by Jacqueline B. Frost. Pages 20 – 23. Intro
If someone wanted to become a member of the ASC what kinds of things would they need to do? This is not necessarily in
(Pictured: Justin working in his home studio.) Post Sound Workflow for Animation Written By Justin Matley Generally speaking, post sound, and re-recording mixing
Tips for film editors, video editors and for those of you who are working, studying or teaching Film/TV Post-Production. Pictured above: In the Edit. Photo
StudentFilmmakers Magazine: What industry changes have you seen over the years in regards to film and video editing? Steve Hullfish: Well, I’ve been editing
We first met Jared back in 2004 in the studentfilmmakersforums.com. Sixteen years later, we ask Jared about changes in independent filmmaking and how he obtained distribution for his independent film, Bounty.
Please confirm you want to block this member.
You will no longer be able to:
Please note: This action will also remove this member from your connections and send a report to the site admin. Please allow a few minutes for this process to complete.
