ADR
By David Appleby Audiences are generally more tolerant of poor images than of poor sound. Students working on location often have problems with the audio……...
By David Appleby Audiences are generally more tolerant of poor images than of poor sound. Students working on location often have problems with the audio……...
Pictured above: Filmmakers and festival managers drop by the Student Filmmakers Magazine exhibit booth at the NAB New York Show in Manhattan, NYC, to say……...
By JC Cummings We’ve always enjoyed productions with fun-loving puppet characters. Puppeteering is an art and one of the first forms of entertainment throughout the……...
By Amy DeLouise, Producer/Director Film festivals and industry events are back in person! Can we remember how to do this? Here are some of my……...
By Shane Stanley It’s that time of year to brush the sand off your feet, let your suntans fade and the hangovers heal as you……...
Simplicity and Magic in Filmmaking By Michael Goi, ASC, ISC I’ve always been fascinated with magic. From the time I helped form the Magic Club……...
By Neal Bell In traditional horror movies, there’s a fairly simple formula: ‘normality’ is threated by the monstrous (from bug-eyed alien to crazed human being)………...
By Marco Schleicher, MA I really like the process of storyboarding. It gives me a clear vision of what I want and what the film……...
By Loren-Paul Caplin Replicating normal, everyday conversation is not what makes strong scripted dialogue. Real conversations are typically boring, off-point, and if efficient in some……...
By Justin Matley You’ve edited your audio to precision. You’ve EQ’d it to meticulous consistency. Now what? When it comes to many audio sources,……...
By David Landau The biggest challenge for any production is usually time. Can the crew get all the shots needed and wanted in the limited……...
… Or At Least Avoiding Bad Ones by Mark Kerins At one point or another, we’ve all been to a movie or play where one……...
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