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StudentFilmmakers Magazine, May 2008 Table of Contents
Focal Length and Filter Strength
What is the Relationship?
by Ira Tiffen
Modern Cinematography
Recent Stylistic Trends in the Industry
by Saro Varjabedian
International Cast Makes Reservations
First-Time Feature Director Aloura Charles
Successfully Wrangles Ensemble in Award-Winning Film
by Mary Ann Skweres
How the Last Shot is Only the Beginning
Directing Your Actors After the Cameras Have Stopped Rolling
by John Badham
Collaborating with Your Editor
The Importance of Different Perspectives
by Myrl Schreibman
7 Guidelines for Getting the Best Performances Possible
From an Actor’s Perspective
by Vanessa Daniels
Lav It Up!
Effectively Mic Up Your Talent
by Bryant Falk
On the Set, In the Studio Film Biz Lingo
A short guide to some of the most frequently questioned terms.
by Chris Cavallari
You Can Do Your Scheduling Without Fancy Software
DIY-Style Scheduling and Budgeting
by Michael Corbett
Traveling with Your Video Gear
Knowing When to Take It, Leave It…or Carry It on the Plane
by Carl Filoreto
What Does a Production Designer Do for Film Production?
A complex job description revealed.
by Tushar Unadkat
Working the Festival Circuit Like a Pro
Four Point Strategy for Optimum Results
by Phil Hall
Getting Financing for Your Independent Film
Ensuring Distribution and Choosing Scripts
by Christina DeHaven
3 Reasons Why Teachers Should Go to NAB
Post-NAB Reflections
by David Kaminski
StudentFilmmakers Magazine NAB 2008 Best Choice
Lowel DV Creator 55 Kit
Vegas Pro 8
Lifecasting Primer
Techniques and Important Safety Precautions
by Todd Debreceni
Filmmakers Networking
This Month’s Featured Networkers
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