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Posted by Jody Michelle Solis, Editor wrote a new post, FREE! Register Now for “Cine Gear Expo 2019, Hollywood, CA” Before May 25th Deadline 2 weeks, 1 day ago
At Cine Gear Expo 2019, Hollywood, CA, Meet and Network with StudentFilmmakers Magazine at Booth L602, (NY Streets, Outdoor).
Cine Gear Expo 2019 is the premier annual event for professionals engaged in the film […]
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Posted by Jody Michelle Solis, Editor wrote a new post, STUDENTFILMMAKERS MAGAZINE | PRODUCTION | “Collaborate Like a Pro: 6 Helpful Tips,” By Daniel LeBlanc 2 weeks, 2 days ago
(Article published in StudentFilmmakers Magazine.)
Collaborate Like a Pro
6 Helpful Tips
By Daniel LeBlancCollaborating is one of the hardest things to do effectively. Here are a few thoughts you might want […]
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Posted by Jody Michelle Solis, Editor wrote a new post, STUDENTFILMMAKERS MAGAZINE | CAMERAWORK | “How to Use Camera Framing as a Storytelling Tool” By David Landau 2 weeks, 2 days ago
(Article published in StudentFilmmakers Magazine.)
How to Use Camera Framing as a Storytelling Tool
Reinforce the Intention of Your Scene
By David LandauCamera framing is a great storytelling tool which […]
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Posted by Jody Michelle Solis, Editor wrote a new post, STUDENTFILMMAKERS MAGAZINE | PRODUCTION | “What to Wear and Not Wear to a Film Set” By Scott Spears 2 weeks, 2 days ago
(Article published in StudentFilmmakers Magazine.)
What to Wear and Not Wear to a Film Set
How to Dress for the Job
By Scott SpearsYou’ve got a call time of 7am tomorrow and you’ve got whatever gear you […]
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Posted by Jody Michelle Solis, Editor wrote a new post, STUDENTFILMMAKERS MAGAZINE | LIGHTING | “Motivating Your Light” By Scott Spears 2 weeks, 6 days ago
(Article published in StudentFilmmakers Magazine.)
Motivating Your Light
Here’s How…
By Scott SpearsSo, you arrive on set and look around at the space asking yourself, “Where do I start?” The answer to thi […]
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Posted by Jody Michelle Solis, Editor wrote a new post, STUDENTFILMMAKERS MAGAZINE | AUDIO | “What Audio Format to Use and Why?” By Daniel LeBlanc 2 weeks, 6 days ago
(Article published in StudentFilmmakers Magazine.)
What Audio Format to Use and Why?
Working with Music
By Daniel LeBlancAudio formats can be very confusing at the best of times. Here’s my take.
MP3, W […]
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Posted by Jody Michelle Solis, Editor wrote a new post, STUDENTFILMMAKERS MAGAZINE | PRE-PRODUCTION | “The Art of Location Scouting” By John Klein 2 weeks, 6 days ago
(Article published in StudentFilmmakers Magazine. Above photo from the film, “Skimmers.”)
The Art of Location Scouting
Look, Access, Schedule and Control
By John KleinLocation scouting is an […]
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Posted by Jody Michelle Solis, Editor wrote a new post, New Books for Filmmakers and Creators! 2 weeks, 6 days ago
New Books for Filmmakers and Creators! Use: SPRINGSALE coupon code at check out for FREE SHIPPING in the USA! Catch up, check out these Recommended Books and Combo Packs! Click here: […]
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Posted by Jody Michelle Solis, Editor wrote a new post, STUDENTFILMMAKERS MAGAZINE | INSPIRATION | “What Are You Waiting For?” By Shane Stanley 3 weeks, 2 days ago
(Article published in StudentFilmmakers Magazine.)
What Are You Waiting For?
Patience may be a virtue, but it gets nothing accomplished.
By Shane StanleyOne thing I’ve always believed is if you have a c […]
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Posted by Jody Michelle Solis, Editor wrote a new post, STUDENTFILMMAKERS MAGAZINE | STORYTELLING | “A New Spin on Established Genres” By Neil Landau 3 weeks, 2 days ago
(Article published in StudentFilmmakers Magazine.)
A New Spin on Established Genres
Provocative Storytelling Beyond the Imaginable
By Neil LandauThe digital television revolution’s new wave of i […]
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Posted by Jody Michelle Solis, Editor wrote a new post, STUDENTFILMMAKERS MAGAZINE | AUDIO | “Should You Care About The Genre Of Your Production Music?” By Daniel LeBlanc 3 weeks, 2 days ago
(Article published in StudentFilmmakers Magazine.)
Should You Care About The Genre Of Your Production Music?
How To Pick Your Next Tracks
By Daniel LeBlancHaving worked as a composer for over two decades, […]
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Posted by Jody Michelle Solis, Editor wrote a new post, NEW BOOK SPOTLIGHT | Reading and Writing a Screenplay: Fiction, Documentary and New Media, 1st Edition 4 weeks, 1 day ago
Reading and Writing a Screenplay
Fiction, Documentary and New Media, 1st Edition
By Isabelle RaynauldPublisher: Routledge
234 pages | 53 B/W Illus.
Paperback; ISBN: 9781138476769Description
Reading […]
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Posted by Jody Michelle Solis, Editor wrote a new post, NEW BOOKS SPOTLIGHT | Storytelling for Film and Television: From First Word to Last Frame, 1st Edition 4 weeks, 1 day ago
Storytelling for Film and Television
From First Word to Last Frame, 1st Edition
By Ken DancygerPublisher: Routledge
188 pages
Paperback; ISBN: 9780815371793Description
Storytelling for Film and […]
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Posted by Jody Michelle Solis, Editor wrote a new post, NEW BOOK SPOTLIGHT | Next Level Screenwriting: Insights, Ideas and Inspiration for the Intermediate Screenwriter, 1st Edition 4 weeks, 1 day ago
Next Level Screenwriting
Insights, Ideas and Inspiration for the Intermediate Screenwriter, 1st Edition
By David Landau, David Bennett CarrenPublisher: Routledge
152 pages
Paperback; ISBN: […]
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Posted by Jody Michelle Solis, Editor wrote a new post, NEW BOOK SPOTLIGHT | Secrets of Screen Directing: The Tricks of the Trade, 1st Edition 4 weeks, 1 day ago
Secrets of Screen Directing
The Tricks of the Trade, 1st Edition
By Patrick TuckerPublisher: Routledge
194 pages | 100 B/W Illus.
Paperback; ISBN: 9780367137441Secrets of Screen Directing: The Tricks […]
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Posted by Jody Michelle Solis, Editor wrote a new post, NEW BOOK SPOTLIGHT | Basic Cinematography: A Creative Guide to Visual Storytelling, 1st Edition 4 weeks, 1 day ago
Basic Cinematography
A Creative Guide to Visual Storytelling, 1st Edition
By Kurt LancasterPublisher: Routledge
281 pages
Paperback; ISBN: 9780815396451The cinematographer must translate the ideas […]
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Posted by Jody Michelle Solis, Editor wrote a new post, NEW BOOK SPOTLIGHT | Light and Lens: Photography in the Digital Age, 3rd Edition 4 weeks, 1 day ago
Light and Lens
Photography in the Digital Age, 3rd Edition
By Robert HirschPublisher: Routledge
424 pages | 350 Color Illus.
Paperback; ISBN: 9781138944398Description
The new edition of this […]
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Posted by Jody Michelle Solis, Editor wrote a new post, NEW BOOK SPOTLIGHT | Experimental Filmmaking and the Motion Picture Camera: An Introductory Guide for Artists and Filmmakers, 1st Edition 4 weeks, 1 day ago
Experimental Filmmaking and the Motion Picture Camera
An Introductory Guide for Artists and Filmmakers, 1st Edition
By Joel SchlemowitzPublisher: Routledge
208 pages | 80 B/W Illus.
Paperback; ISBN: […]
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Posted by Jody Michelle Solis, Editor wrote a new post, NEW BOOK SPOTLIGHT | Production Design: Visual Design for Film and Television, 1st Edition 4 weeks, 1 day ago
Production Design
Visual Design for Film and Television, 1st Edition
By Peg McClellanPublisher: Routledge
224 pages | 264 Color Illus.
Paperback; ISBN: 9781138185425Description
Production Design: […]
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Posted by Jody Michelle Solis, Editor wrote a new post, NEW BOOK SPOTLIGHT: The Technique of Film and Video Editing: History, Theory, and Practice, 6th Edition 4 weeks, 1 day ago
The Technique of Film and Video Editing
History, Theory, and Practice, 6th Edition
By Ken DancygerPublisher: Routledge
512 pages | 160 B/W Illus.
Paperback; ISBN: 9781138628403Description
This […]
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I think that the author needs to make it clear that he is referring to what format is okay to export a project with (for audience or client review). I would never record nor edit a project in a compressed format; instead I would use an uncompressed .WAV file for creation, and nothing less than 24bit/48k or 24bit/32k. The 32k format is pretty much the default for programs such as Pro Tools, as it allows for much greater headroom and less chance of clipping than 24 bit. However, after the project has been completed/mastered — it is often exported in the more common 24bit/48k format, along with versions in MP3.
Based on the author’s experience and impressive credits, I am sure that he knows all that stuff himself, but in his brevity merely failed to make it clear.
Hi Fred, Thank you!