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| HDSLR Filmmaking Workshop from Shoot to Post Production with Patrick Reis | |||||||||
REGISTER ONLINE NOW. New Door Prizes Announced! Learn new DSLR best practices and techniques. Elevate your DSLR productions. Don't miss this exciting must-attend for DSLR shooters in Manhattan, New York City. The HDSLR Filmmaking Workshop from Shoot to Post Production with Patrick Reis will take place in New York City, on Saturday, December 10, 2011 at the StudentFilmmakers.com Manhattan Workshop Studio. In just one comprehensive day of training, you'll receive a full range of powerful HDSLR filmmaking concepts and tools that can benefit any HDSLR production - whether you're shooting a documentary or narrative, television spot or music video.
Equipment/Gear List: The following equipment and gear will be used during the workshop and will be available for attendees.
Who Should Attend: Any filmmaker who wants to improve his/her game, by being up close and learning with an HDSLR master shooter. Cinematographers and camera operators interested in the new wave of HDSLR technology and techniques. Still photographers, journalists, and documentarians who want to learn how to shoot video with DSLR cameras.
Patrick Reis is a New York-based filmmaker and freelance shooter who began his career working with film before the digital video revolution exploded and began to dominate the indie market. Reis' experience spans over 10 years working in commercials and TV, with clients including ESPN, Fox Sports, Nickelodeon. Reis' love of storytelling has drawn him to more documentary and narrative projects. Group rates available for Companies and Schools: * 10% discount for groups of 5 to 9 from the same company or organization.
* You may bring your own camera to the class. We recommend that you bring your own compact flash card to save and take home your footage. Program Details Why did they put video on my DSLR? How did a still photography camera become a player in the video world? Why is DSLR video better and where does it fail? Does sensor size matter? What is the difference between all of the DSLR sensor sizes? What is a full frame and an APS-C? What resolution am I recording with video? The Limitations. It looks easy but shooting video on a DSLR is not a point-and-shoot situation. Find out what crop factor is. Rolling shutter. Moiré & Aliasing. Shallow depth of field and when you want to avoid it. Why DSLRs overheat. Why does it only record for a short time and then stop? Don't let the limitations scare you, instead, learn what they are so you can work with them. Menus & Terminology. How shooting stills is different from shooting video. We'll navigate around the camera body and discover that some missing features are still there but they have different names. We'll also take a look at the menu system, clarify it and see how some DSLR menus are different even when they are from the same manufacturer. DSLRs and their lack of Video Camera Luxuries. What happened to auto focus, zebras and neutral density filters? What is shutter speed and ISO? The Lens The DSLR has a removable lens. Now you have so many choices! What is a prime lens? Do I really have to focus myself? Can I use zoom lenses? What makes one lens different from another? Are third party lenses are best for my project? Pre-production considerations for choosing the right lens for your project. Try out the Zeiss Compact Prime CP.2 lenses in this workshop! The Monitor Can I use the screen on the back of my camera or should I use an external monitor? What if I can't afford an external monitor? Try out a monitor solution from SmallHD that professionals use in this workshop. Camera Movement Can the DSLR be a handheld camera? See handheld solutions from indiSYSTEM and set up a full shoulder mount rig. DSLR Audio The myth about DSLR audio. Is it really bad? What is AGC? How should I record my audio? See how a BeachTek adaptor can help. Pre-production considerations for recording audio with your DSLR project. Media Compact flash cards and SD cards. Which ones to use and which ones to avoid. Post Production I've shot all of my video and now I'm ready for post, what do I need to know? Pictures styles & Exposure modes. Do I have to transcode what I've shot? Is there more than one solution for transcoding? What workflow considerations do I need to make? We'll take some video and load it into Sony Vegas so you can see a workflow option.
About the Instructor Patrick Reis Patrick Reis has shot with 16mm and 35mm cameras, as well as a myriad of video cameras including Canon HDSLRs. Growing up in the Hudson Valley near Woodstock influenced the artist in him and now he travels across the United States and overseas for projects. Reis enjoys the collaborative aspect of filmmaking and admires the filmmaker that can succeed when they test the limits of the system. Register online today or call 212.255.5454. The HDSLR Filmmaking Workshop from Shoot to Post Production is presented by StudentFilmmakers.com. Sponsor opportunities are still available. Contact Kim Welch 212.255.5454 or click here to fill out the contact form. StudentFilmmakers.com is dedicated to educating and connecting both new-and-emerging filmmakers
and working professionals in the motion picture industry. |
Sponsors:
Door Prizes:
Patrick Reis' Filmography "Road To Roubaix" |
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Workshop
Photography and Recording Policy Workshop
Cancellation and Refund Policy Withdrawals
& Refunds No
Show Workshop
Cancellations StudentFilmmakers.com is not responsible for any loss or damage as a result
of a substitution, alteration or cancellation/postponement of an event.
StudentFilmmakers.com shall assume no liability whatsoever in the event
this conference is cancelled, rescheduled or postponed due to a fortuitous
event, Act of God, unforeseen occurrence or any other event that renders
performance of this conference impracticable, illegal or impossible. For
purposes of this clause, a fortuitous event shall include, but not be
limited to: war, fire, labor strike, extreme weather or other emergency. |
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