Back Issue | Digital Edition: StudentFilmmakers Magazine, May 2007

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 StudentFilmmakers Magazine, May 2007 Table of Contents

Focus on… Focus
How Lens Settings Affect Filter Effects
by Ira Tiffen

Working with Fluorescent Lighting on Location
Tungsten and Daylight Balanced Lighting
by Saro Varjabedian

Shooting ‘Solstice’ in New Orleans
A Drama Set in the Bayous of Louisiana with Supernatural Elements
by M. David Mullen, ASC

Joerg Wagner Captures the Wild Ride: Bikes, Speed, and Adrenaline
Award-Winning Writer/Director on Experimental Documentary, ‘Motodrom’
Interview by Jody Michelle Solis

Solutions for Re-shooting a Film that Couldn’t Be Fixed in Post
Stretching Creativity Past the Limits
by Myrl A. Schreibman

Creating a Unified Look for Your Movie
Integrating Your Shots, Scenes and Sequences into a Unique Visual Style
by Leonard Guercio

Re-creating Space for Dialogue Replacement
Matching Location Audio
by Bryant Falk

Film Is Not Dead!
Super 8mm Lets Film Live On
by Chris Cavallari

Staying Legal in a Multicolor World
Some of the issues related to color space, formats, and conversion between formats…
by Steve Holmes

The Science Behind the Camera Test
Understanding How to Make Better Images through Research
by Michael Kent

Protecting Yourself and Your Gear in Difficult Environmental Conditions
Rainy, Windy, and Dusty Locations
by Kevin Zanit

Landing an Agent
How to Get an Acting Agent; 7 Important Guidelines
by Vanessa Daniels

Quick Tips for Selling Your Film at the Cannes Market
Negotiating with Sales Agents
by Stacey Parks

Filmmakers Networking Community
This Month’s Featured Filmmakers


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