Back Issue | Digital Edition: StudentFilmmakers Magazine, July 2007

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StudentFilmmakers Magazine, July 2007 Table of Contents

Using a Polarizer to See through a Windshield
When Closer Isn’t Clearer
by Ira Tiffen

Depth of Field Techniques: Using the Panasonic DVX-100A
Quick Tips for Creating a More ‘Cinematic’ Image
by Gregory Singer

Creative Collaborators: The Director and Cinematographer
What a Director Should Know About Cinematography and Selecting a DP
by Jacqueline B. Frost

Shooting and Editing Aloha New York
Carolina Cruz Santiago Rides the Wave of Success (and Hard Work) to the Tribeca Film Festival
by Taryn Bensky

Editing is Re-editing: From Rough Cut to Picture Lock
Includes ‘Six Habits of Highly Effective Editors’
by Mark Kerins

Using Transitions
The Dissolve and the Cut
by Lew Schatzer

Working with Music for Your Film
How music is used, types of rights, working with your composer, and more…
by Myrl Screibman

Audio Mixing Tips for Editors
Five Pointers – from Frequency Mapping to Splits
by Bryant Falk

Production Design for Dialogue Recording
How Other Departments Can Help the Sound Dept. Improve the Quality of Recorded Dialogue
by Fred Ginsburg C.A.S. Ph. D. MBKS

Creating Make-Up Effects for The Enemy God
Achieving FX make-up believably and realistically for a feature shot in a foreign jungle
by Todd Debreceni

Shooting Abroad in Tanzania
A Remote Journey
by Carl Filoreto

Keeping Handheld Camera Shots Steady
A Shaky Horizon
by Chris Cavallari

Cinema and “Reality”: The Importance of Emotional Truth
Breaking Down a Story to Its Moral Premise
by Michael Karp, SOC

Filmmakers Networking Community
This Month’s Featured Networkers
by Brandi J. Sims


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