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StudentFilmmakers Magazine, July 2007 Table of Contents
Using a Polarizer to See through a Windshield
When Closer Isn’t Clearer
by Ira Tiffen
Depth of Field Techniques: Using the Panasonic DVX-100A
Quick Tips for Creating a More ‘Cinematic’ Image
by Gregory Singer
Creative Collaborators: The Director and Cinematographer
What a Director Should Know About Cinematography and Selecting a DP
by Jacqueline B. Frost
Shooting and Editing Aloha New York
Carolina Cruz Santiago Rides the Wave of Success (and Hard Work) to the Tribeca Film Festival
by Taryn Bensky
Editing is Re-editing: From Rough Cut to Picture Lock
Includes ‘Six Habits of Highly Effective Editors’
by Mark Kerins
Using Transitions
The Dissolve and the Cut
by Lew Schatzer
Working with Music for Your Film
How music is used, types of rights, working with your composer, and more…
by Myrl Screibman
Audio Mixing Tips for Editors
Five Pointers – from Frequency Mapping to Splits
by Bryant Falk
Production Design for Dialogue Recording
How Other Departments Can Help the Sound Dept. Improve the Quality of Recorded Dialogue
by Fred Ginsburg C.A.S. Ph. D. MBKS
Creating Make-Up Effects for The Enemy God
Achieving FX make-up believably and realistically for a feature shot in a foreign jungle
by Todd Debreceni
Shooting Abroad in Tanzania
A Remote Journey
by Carl Filoreto
Keeping Handheld Camera Shots Steady
A Shaky Horizon
by Chris Cavallari
Cinema and “Reality”: The Importance of Emotional Truth
Breaking Down a Story to Its Moral Premise
by Michael Karp, SOC
Filmmakers Networking Community
This Month’s Featured Networkers
by Brandi J. Sims
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