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Professional Motion Picture Production and Distribution NEWS
The Academy Honored the Scientific & Technical Awards Winners
By Staff
posted Feb 22, 2010, 14:59 |
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Fifteen scientific and technical achievements represented by 46 individual award recipients were honored at the Scientific and Technical Awards Presentation at The Beverly Wilshire on Saturday, February 20, 2010.
Technical Achievement Awards
- To Mark Wolforth and Tony Sedivy for their contributions to the development of the Truelight real-time 3D look-up table hardware system.
Through the use of color management software and hardware, this complete
system enables accurate color presentation in the digital intermediate preview
process. The Truelight system is widely utilized in digital intermediate
production environments around the world.
- To Dr. Klaus Anderle, Christian Baeker and Frank Billasch for their contributions to the LUTher 3D look-up table hardware device and color management software.
The LUTher system was one of the first color look-up table processor to be
widely adopted by the pioneering digital intermediate facilities in the industry.
This innovation enabled accurate color presentation by facilities that had
analyzed projected film output and built 3D look-up tables in order to emulate
print film.
- To Steve Sullivan, Kevin Wooley, Brett Allen and Colin Davidson for the development of the Imocap on-set performance capture system.
Developed at Industrial Light & Magic and consisting of custom hardware
and software, Imocap is an innovative system that successfully addresses the
need for on-set, low-impact performance capture.
- To Hayden Landis, Ken McGaugh and Hilmar Koch for advancing the technique of ambient occlusion rendering.
Ambient occlusion has enabled a new level of realism in synthesized imagery
and has become a standard tool for computer graphics lighting in motion pictures.
- To Bj�rn Hed�n for the design and mechanical engineering of the silent, two-stage planetary friction drive Hed�n Lens Motors.
Solving a series of problems with one integrated mechanism, this device had
an immediate and significant impact on the motion picture industry.
Scientific and Engineering Awards
- To Per Christensen, Michael Bunnell and Christophe Hery for the development of point-based rendering for indirect illumination and ambient occlusion.
Much faster than previous ray-traced methods, this computer graphics technique
has enabled color bleeding effects and realistic shadows for complex scenes
in motion pictures.
- To Dr. Richard Kirk for the overall design and development of the Truelight real-time 3D look-up table hardware device and color management software.
Through the use of color management software and hardware, this complete
system enables accurate color presentation in the digital intermediate preview
process. The Truelight system is widely utilized in digital intermediate
production environments around the world.
- To Volker Massmann, Markus Hasenzahl, Dr. Klaus Anderle and Andreas Loew for the development of the Spirit 4K/2K film scanning system as used in the digital intermediate process for motion pictures.
The Spirit 4K/2K has distinguished itself by incorporating a continuous-motion
transport mechanism enabling full-range, high-resolution scanning at much
higher frame rates than non-continuous transport scanners.
- To Michael Cieslinski, Dr. Reimar Lenz and Bernd Brauner for the development of the ARRISCAN film scanner, enabling high-resolution, high-dynamic range, pin-registered film scanning for use in the digital intermediate process.
The ARRISCAN film scanner utilizes a specially designed CMOS array sensor
mounted on a micro-positioning platform and a custom LED light source. Capture
of the film�s full dynamic range at various scan resolutions is implemented
through sub-pixel offsets of the sensor along with multiple exposures of
each frame.
- To Wolfgang Lempp, Theo Brown, Tony Sedivy and Dr. John Quartel for the development of the Northlight film scanner, which enables high-resolution, pin-registered scanning in the motion picture digital intermediate process.
Developed for the digital intermediate and motion picture visual effects
markets, the Northlight scanner was designed with a 6K CCD sensor, making
it unique in its ability to produce high-resolution scans of 35mm, 8-perf
film frames.
- To Steve Chapman, Martin Tlaskal, Darrin Smart and Dr. James Logie for their contributions to the development of the Baselight color correction system, which enables real-time digital manipulation of motion picture imagery during the digital intermediate process.
Baselight was one of the first digital color correction systems to enter
the digital intermediate market and has seen wide acceptance in the motion
picture industry.
- To Mark Jaszberenyi, Gyula Priskin and Tamas Perlaki for their contributions to the development of the Lustre color correction system, which enables real-time digital manipulation of motion picture imagery during the digital intermediate process.
Lustre is a software solution that enables non-linear, real-time digital
color grading across an entire feature film, emulating the photochemical
color-timing process.
- To Brad Walker, D. Scott Dewald, Bill Werner and Greg Pettitt for their contributions furthering the design and refinement of the Texas Instruments DLP Projector technology, achieving a level of performance that enabled color-accurate digital intermediate previews of motion pictures.
Working in conjunction with the film industry, Texas Instruments created
a high-resolution, color-accurate, high-quality digital intermediate projection
system that could closely emulate film-based projection in a theatrical
environment.
- To FUJIFILM Corporation, Ryoji Nishimura,
Masaaki Miki and Youichi Hosoya for the
design and development of Fujicolor ETERNA-RDI digital intermediate film,
which was designed exclusively to reproduce motion picture digital masters.
The Fujicolor ETERNA-RDI Type 8511/4511 digital intermediate film has thinner
emulsion layers with extremely efficient couplers made possible by Super-Nano
Cubic Grain Technology. This invention allows improved color sensitivity
with the ability to absorb scattered light, providing extremely sharp images.
The ETERNA-RDI emulsion technology also achieves less color cross-talk for
exacting reproduction. Its expanded latitude and linearity provides superior
highlights and shadows in a film stock with exceptional latent image stability.
- To Paul Debevec, Tim Hawkins, John
Monos and Dr. Mark Sagar for the design and engineering
of the Light Stage capture devices and the image-based facial rendering system
developed for character relighting in motion pictures.
The combination of these systems, with their ability to capture high fidelity
reflectance data of human subjects, allows for the creation of photorealistic
digital faces as they would appear in any lighting condition.
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