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Cameras: News and Updates
| Oscar-Nominated Work Shot on ARRI Cameras By StudentFilmmakers.com posted Feb 1, 2012, 08:08 |
Nominations for the 84th Academy Awards were announced, with films that were shot using ARRI cameras dominating the top categories.
Best Picture
Two-thirds of the films nominated in this category were shot with ARRI cameras, four of them on 35 mm film and two with ALEXA.
THE ARTIST
* ARRIFLEX 435
* Serviced by Panavision
THE DESCENDANTS
EXTREMELY LOUD AND INCREDIBLY CLOSE
* ARRI ALEXA
* Serviced by ARRI CSC
THE HELP
HUGO
* ARRI ALEXA
* Serviced by Cameron Pace Group
MIDNIGHT IN PARIS
* ARRICAM 35 mm system
* Serviced by Panavision
MONEYBALL
THE TREE OF LIFE
* ARRICAM 35 mm system; ARRIFLEX 235; Master Prime and Ultra Prime lenses
* Serviced by ARRI CSC
WAR HORSE
* ARRICAM 35 mm system; ARRIFLEX 435 and 235; Master Prime and Ultra Prime lenses
* Serviced by ARRI Media and ARRI Lighting Rental
Best Cinematography
All but one of the films nominated in this category were shot with ARRI cameras, three on 35 mm film and one with ALEXA.
Guillaume Schiffman, AFC, for THE ARTIST
* ARRIFLEX 435
* Serviced by Panavision
Jeff Cronenweth, ASC, for THE GIRL WITH THE DRAGON TATTOO
Robert Richardson, ASC, for HUGO
* ARRI ALEXA
* Serviced by Cameron Pace Group
Emmanuel Lubezki, AMC, ASC, for THE TREE OF LIFE
* ARRICAM 35 mm system; ARRIFLEX 235; Master Prime and Ultra Prime lenses
* Serviced by ARRI CSC
Janusz Kaminski for WAR HORSE
* ARRICAM 35 mm system; ARRIFLEX 435 and 235; Master Prime and Ultra Prime lenses
* Serviced by ARRI Media and ARRI Lighting Rental
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