Camerawork Tips from Gustavo Mercado
StudentFilmmakers Magazine: What was one of the most important things you learned while working on set? Gustavo Mercado: The most important lesson I have learned…
Category: Lenses
Farhad Dehlvi describes using the ZEISS CP.3 lenses to shoot “Have you Ever Seen the Rain?” for it’s 25th anniversary
CP.3 and CCR Asked to shoot one of the 25th anniversary music videos for Creedence Clearwater Revival, Farhad Dehlvi knew he would need lenses that…
Tobias Schliessler, ASC describes Shooting Dramatic Short Film “Refugee” with the new ZEISS Supreme Prime Radiance Lenses
Refugee and Radiance Tobias Schliessler, ASC describes Shooting Dramatic Short Film “Refugee” with the new ZEISS Supreme Prime Radiance Lenses. Refugee has been a passion project of…
Expanding Your Vision with Full Frame Cinematography
“Full Frame is affordable, available and exciting to use.” By Snehal Patel Full Frame Cinema camera systems like the Alexa LF, Sony Venice, RED Monstro,…
Lens Selection: Maximize Your Aesthetic by Knowing Your Lenses
Pictured above: Phil composes a shot, auditioning his lens on a director’s viewfinder. Photo by Jon Rivera. Lens Selection Maximize Your Aesthetic by Knowing Your…
NAB Show New York, Booth N1058 – StudentFilmmakers Magazine talks with Rich Rothbard about the new ROKINON Autofocus 18mms F2.8 Full Frame Compact Lens
At the NAB Show New York, Booth N1058, StudentFilmmakers Magazine talks with Rich Rothbard about the new ROKINON Autofocus 18mms F2.8 Full Frame Compact Lens.…
“Anamorphic Lenses: A Primer” by John Klein
In the micro-budget world, we’re always endeavoring to craft a more cinematic look for our films. We’ll crop the footage to a wider aspect ratio,…
ZEISS Supreme Prime Lenses Booth: Central Hall C4437
Carl Zeiss, Central Hall C4437 ZEISS Cine Lenses offers high quality camera lenses for the film making industry. Consistency is one of the key elements…