Post Production

Post-production News, Software, Tips and Tricks, Tech and Resources

Deborah Moran, ACE on Editing Episodic Television Series, “City on a Hill”

Deborah Moran, ACE was born in Buffalo, New York, is a graduate of SUNY at Fredonia, and currently resides in New York City. An accredited member of the American Cinema Editors (ACE) prestigious honorary society, Deborah has worked as a picture editor for 20+ years of several network, cable and …

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TV and Documentary Editing Insights from Heidi Scharfe, ACE

StudentFilmmakers Magazine: What was one of your most favorite scenes or sequences to edit, and why? Heidi Scharfe, ACE: The obvious choices would come from some of the music performance scenes like “New Edition” and “American Soul”… I mean, so many standout performances and ‘VFX saves’ that stick in my head. …

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Episodic TV Editing Insights from Janet Weinberg, ACE

After graduating from Tisch School of the Arts in Film, Janet Weinberg, ACE, has spent the last several decades as an editor of episodic TV. Her most recent credits include “Jane the Virgin”, “UnReal”, “Little America”, and “Better Things”, for which she won an Eddie in 2020. StudentFilmmakers Magazine: What was one …

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Film and TV Editing Insights by Steve Hullfish

Exclusive Interview conducted by Jody Michelle Solis StudentFilmmakers Magazine: What industry changes have you seen over the years in regards to film and video editing? Steve Hullfish: Well, I’ve been editing since long before the advent of non-linear editing systems, like Avid, so the biggest change is just non-linear. Beyond …

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Puget Systems Post-Production Workstations: Customize Your Tools Wisely

Founder Jon Bach on avoiding the PC rabbit hole. Exclusive interview conducted by Jody Michelle Solis   Jon Bach founded Puget Systems in December 2000. Today, his primary role is to make sure everyone else has the tools and resources to do their jobs, providing great products and customer experiences. …

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The Power of Rubberbanding | Reduce Your Render Time, Get a Better Sound Mix, and Avoid Losing Your Audio Smoothing

by Jeff Turboff How many times have you finished your sequence, eager to make that output for the director to watch or to export a Quicktime for all your YouTube fans to check out, but then, you have to wait for what seems like forever as you render all of …

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