Post-production News, Software, Tips and Tricks, Tech and Resources
Photo by Ilya Shishikhin. Follow Instagram @shish_ph. How an Editor Should Cut an Actor’s Performance Written By Dustin Morrow When I’m cutting the work of actors, here’s what I’m looking at. (1.) Eyes (which are, after all, the windows to the soul). (2.) Voice control (the tonality, rhythms …
(Pictured: Justin working in his home studio.) Post Sound Workflow for Animation Written By Justin Matley Generally speaking, post sound, and re-recording mixing in particular, is the end of the line. The last leg of the conveyor belt. We come into play after the shots are perfected, the …
Pictured above: Shane Stanley’s edit bay. How to Set Up Your Edit Workstation: 3 Important Things Written by Shane Stanley When I prepare to edit my films there’s a great deal of excitement, but it’s also met with some opposition. Why? Because it means I’ll be isolated in …
Above photo taken by Jakob Owens. www.directorjakobowens.com Follow IG @jakobowens Written by Richard D. Pepperman It has been more than a decade, and while I haven’t kept my mouth shut about it in the classroom (not at all), I’ve not expressed my concerns much beyond East 23rd Street …
By Bart Weiss For the last several years, Blackmagic Design continues to be one of the first stops at NAB, and in recent years, it hasn’t been for the cameras but for the innovations in DaVinci Resolve, the color grading that has morphed into a full-fledged editor. Each year, …
Sidney Wolinsky, ACE has a BA in English and American Literature from Brandeis University and an MA in Film from San Francisco State College. He has worked as an assistant editor for a number of years before getting his first editing job as additional editor on “Young Doctors in Love,” …
Exclusive Interview with Richard Sanchez Richard discovered editing on a whim while studying theatre at UC Irvine. Combining his love for storytelling and technology made post-production a clear path that he’s been pursuing ever since. Starting out shooting and editing videos for GoTV, one of the earliest providers of …
Balancing Humor and Story Needs in Post-Production Read More »
Mine for the Gold Exclusive Interview with Wendy Hallam Martin, ACE, CCE StudentFilmmakers Magazine: What was one of your most favorite scenes to edit and why? Wendy Hallam Martin, ACE, CCE: If I had to choose just one scene to call my favourite on “The Handmaid’s Tale,” I would say …
“Mine for the Gold” with Wendy Hallam Martin, ACE, CCE Read More »
Written By Bart Weiss Black Magic Design has been aggressive in adding new features to its DaVinci Resolve software package every year at the Spring NAB show. But without a live show, they waited to unwrap its new version until this fall. There is a lot new here, and …
Scalia is a prolific and highly regarded editor whose work has been recognized with two Academy Awards® (“Black Hawk Down,” “JFK”), two BAFTA Awards (“Gladiator”, “JFK”), a Satellite Award (“American Gangster”), and ACE Eddies (“Black Hawk Down,” “JFK,” and “Gladiator”). For over twenty-five years, Scalia has been an integral collaborator …
Forming Thematic and Visual Language in the Cutting Room: Pietro Scalia, ACE Read More »
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