Post-production News, Software, Tips and Tricks, Tech and Resources
Above photo taken by Jakob Owens. www.directorjakobowens.com Follow IG @jakobowens Written by Richard D. Pepperman It has been more than a decade, and while I haven’t kept my mouth shut about it in the classroom (not at all), I’ve not expressed my concerns much beyond East 23rd Street …
By Bart Weiss For the last several years, Blackmagic Design continues to be one of the first stops at NAB, and in recent years, it hasn’t been for the cameras but for the innovations in DaVinci Resolve, the color grading that has morphed into a full-fledged editor. Each year, …
Sidney Wolinsky, ACE has a BA in English and American Literature from Brandeis University and an MA in Film from San Francisco State College. He has worked as an assistant editor for a number of years before getting his first editing job as additional editor on “Young Doctors in Love,” …
Exclusive Interview with Richard Sanchez Richard discovered editing on a whim while studying theatre at UC Irvine. Combining his love for storytelling and technology made post-production a clear path that he’s been pursuing ever since. Starting out shooting and editing videos for GoTV, one of the earliest providers of …
Balancing Humor and Story Needs in Post-Production Read More »
Mine for the Gold Exclusive Interview with Wendy Hallam Martin, ACE, CCE StudentFilmmakers Magazine: What was one of your most favorite scenes to edit and why? Wendy Hallam Martin, ACE, CCE: If I had to choose just one scene to call my favourite on “The Handmaid’s Tale,” I would say …
“Mine for the Gold” with Wendy Hallam Martin, ACE, CCE Read More »
Written By Bart Weiss Black Magic Design has been aggressive in adding new features to its DaVinci Resolve software package every year at the Spring NAB show. But without a live show, they waited to unwrap its new version until this fall. There is a lot new here, and …
Scalia is a prolific and highly regarded editor whose work has been recognized with two Academy Awards® (“Black Hawk Down,” “JFK”), two BAFTA Awards (“Gladiator”, “JFK”), a Satellite Award (“American Gangster”), and ACE Eddies (“Black Hawk Down,” “JFK,” and “Gladiator”). For over twenty-five years, Scalia has been an integral collaborator …
Forming Thematic and Visual Language in the Cutting Room: Pietro Scalia, ACE Read More »
Nancy grew up in the film industry relocating with her studio executive father from New York to Los Angeles when she was 6 years old. While studying film at Boston University, she quickly learned that she hated production but loved editing. She started her career as a film traffic apprentice …
Restructuring and Moving Scenes as a Storytelling Solution: Nancy Morrison, ACE Read More »
Post-production insights from Pietro Scalia, ACE, Wendy Hallam Martin, ACE, CCE, Mike Sale, ACE, Sidney Wolinsky ACE, Janet Weinberg, ACE, Heidi Scharfe, ACE, Deborah Moran, ACE, Nancy Morrison, ACE, Tim Kolb, and Steve Hullfish… Pictured above: Editing in Portland, Oregon. Photo by Avel Chuklanov, Filmmaker, Vancouver, WA. Follow @chuklanov | …
Mike Sale, ACE most recently edited “Spenser Confidential” for director Peter Berg. He previously edited “Skyscraper” and the comedies, “We’re the Millers” and “Central Intelligence” with director Rawson Marshall Thurber. His additional recent credits include director Todd Phillips’ “The Hangover Part II” and Paul Feig’s blockbuster hit, “Bridesmaids,” for which he earned a 2012 Eddie Award nomination from the American Cinema Editors. Sale also served …
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