Zoom Lenses vs. Prime Lenses
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Written by Snehal Patel Zoom lenses are an important tool for filmmaking in general, but even more important for multicamera cinematography. With the ability to
Camera Operator Tips from Gustavo Mercado
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StudentFilmmakers Magazine: What was one of the most important things you learned while working on set? Gustavo Mercado: The most important lesson I have learned
Farhad Dehlvi describes using the ZEISS CP.3 lenses to shoot “Have you Ever Seen the Rain?” for it’s 25th anniversary
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CP.3 and CCR Asked to shoot one of the 25th anniversary music videos for Creedence Clearwater Revival, Farhad Dehlvi knew he would need lenses that
Tobias Schliessler, ASC describes Shooting Dramatic Short Film “Refugee” with the new ZEISS Supreme Prime Radiance Lenses
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Refugee and Radiance Tobias Schliessler, ASC describes Shooting Dramatic Short Film “Refugee” with the new ZEISS Supreme Prime Radiance Lenses. Refugee has been a passion project of
Expanding Your Vision with Full Frame Cinematography
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“Full Frame is affordable, available and exciting to use.” By Snehal Patel Full Frame Cinema camera systems like the Alexa LF, Sony Venice, RED Monstro,
Lens Selection: Maximize Your Aesthetic by Knowing Your Lenses
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Pictured above: Phil composes a shot, auditioning his lens on a director’s viewfinder. Photo by Jon Rivera. Lens Selection Maximize Your Aesthetic by Knowing Your
“Anamorphic Lenses: A Primer” by John Klein
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In the micro-budget world, we’re always endeavoring to craft a more cinematic look for our films. We’ll crop the footage to a wider aspect ratio,