StudentFilmmakers Magazine: What was one of the most important things you learned while working on set? Gustavo Mercado: The most important lesson I have learned in every shoot I have ever been in is that it is virtually impossible to overprepare for a production. No matter how big or small …
CP.3 and CCR Asked to shoot one of the 25th anniversary music videos for Creedence Clearwater Revival, Farhad Dehlvi knew he would need lenses that were robust and deliver under harsh conditions. He sat with ZEISS Cine Lenses to talk about why he chose the CP.3 lenses. When I learned …
Refugee and Radiance Tobias Schliessler, ASC describes Shooting Dramatic Short Film “Refugee” with the new ZEISS Supreme Prime Radiance Lenses. Refugee has been a passion project of mine ever since I spent time with writer/director Brandt Andersen teaching filmmaking to children at a Syrian refugee camp in Jordan two years ago. It …
“Full Frame is affordable, available and exciting to use.” By Snehal Patel Full Frame Cinema camera systems like the Alexa LF, Sony Venice, RED Monstro, Canon C700 FF and others have ushered in a new flavor of digital cinematography that makes use of larger silicone sensors and cinema lenses with …
Expanding Your Vision with Full Frame Cinematography Read More »
At the NAB Show New York, Booth N1058, StudentFilmmakers Magazine talks with Rich Rothbard about the new ROKINON Autofocus 18mms F2.8 Full Frame Compact Lens. Filmmakers, videographers, and shooters, the new ROKINON lens is now available. Here are more details below. The new ROKINON Autofocus 18mms F2.8 Full Frame …
The new ROKINON Autofocus 18mms F2.8 Full Frame Compact Lens for Sony E (model: IO18AF-E) is now available at Amazon and other authorized ROKINON dealers. Ultra wide angle auto focus lens for Sony E mount full frame and APS-C cameras Aperture range of f/2.8 to f/22with a minimum focusing distance …
NOW AVAILABLE: New ROKINON Autofocus 18mms F2.8 Full Frame Compact Lens Read More »
In the micro-budget world, we’re always endeavoring to craft a more cinematic look for our films. We’ll crop the footage to a wider aspect ratio, go for lenses and sensors that offer shallower depth of field, add fake optical flares in post-production… and yet, we still feel like we’re lacking …
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Carl Zeiss Cinema Lens Demo Center “For over one hundred years, ZEISS has been on the forefront of cinema lens technology. Now we are bringing the that technology directly to you with our new Cinema Lens Demo Center in Sherman Oaks, California. We are focused on supporting the cinematography community …
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