Shooting Film Style with Two Cameras
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By David Landau The biggest challenge for any production is usually time. Can the crew get all the shots needed and wanted in the limited
Thinking Up: Mastering Composition from the Air
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Written by Eddie Tapp Take composition for instance, the one thing that will make a scene easy to look at with leading lines, element structure,
Shooting the Feature-Length Film for the Musical, “An Old Family Recipe”
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Written by William Donaruma What do you do when you write an original musical production, cast it, rehearse it, but can’t perform it? You
Light Better Now | Talking Head Interviews
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Lighting Your Talking Heads Written by Peter Warren csc In news, they are called talking heads. In my 40 years as a news shooter and
Zoom Lenses vs. Prime Lenses
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Written by Snehal Patel Zoom lenses are an important tool for filmmaking in general, but even more important for multicamera cinematography. With the ability to
Cinematography with an ‘Emotional Lens’
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Written by Tony Westman csc, dga, dgc The director turned to me after blocking with actors and stunt performers and said he wanted the scene
Why Focal Lengths Matter in Cinematography
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Written by Snehal Patel As a filmmaker, there is a lot to learn. It takes a lifetime of experience and education to continue creating compelling
Exclusive Interview with Ron Dexter, ASC: Camera Movement and Camera Effects
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StudentFilmmakers Magazine conducts an exclusive interview with master cinematographer Ron Dexter, ASC. Mr. Dexter shares his experience building camera equipment and systems. He discusses camera
NEW Michael Goi, ASC Interactive Seminar Online | From Student to The Studio | REGISTER NOW
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ANNOUNCING NEW FILM BUSINESS WORKSHOP ONLINE Michael Goi, ASC Interactive Seminar Online Produced and Hosted Online by StudentFilmmakers.com From Student to The Studio: Learn the
What Directors Need to Know About Cinematography
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Photo by Jakob Owens. Follow IG @jakobowens Composing the Frame: Let There Be Light What Directors Need to Know About Cinematography Written by David K.