Film Directing | Getting Good Performances
… Or At Least Avoiding Bad Ones by Mark Kerins At one point or another, we’ve all been to a...
… Or At Least Avoiding Bad Ones by Mark Kerins At one point or another, we’ve all been to a...
Production Boards and Scheduling by Myrl Schreibman Presidents Day 2008 found me in a box at the Santa Anita...
Written by Christina Hamlett Years ago, I interviewed a prominent producer and asked him whether he thought a film school...
Written by Eddie Tapp Take composition for instance, the one thing that will make a scene easy to look at...
Written by William Donaruma What do you do when you write an original musical production, cast it, rehearse it,...
Student Filmmakers Magazine spots Tony Halliwell and his music posts in the StudentFilmmakers.com online community network. Since online interaction in...
Lighting Your Talking Heads Written by Peter Warren csc In news, they are called talking heads. In my 40 years...
“Unforgotten” Gold Medal, 48th Student Academy Awards, Animation category Q&A with Sujin Kim Sujin Kim is a visual artist, filmmaker,...
Pictured: Austin Harris & Shane Stanley Take It on the Road: Behind the Scenes of “Night Train” Written by Shane...
Pictured: For “Apt. 2B” at the NY 48 Hour Film Festival with Catherine Frels, Gregory Isaac, Tracey Conyer Lee, Sean...
Written by Snehal Patel Zoom lenses are an important tool for filmmaking in general, but even more important for multicamera...
Zoran Dragelj is a Producer and Director from Vancouver, Canada. He is best known for his feature film, “Friends Like...
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