StudentFilmmakers Magazine 2021, Vol. 16, No. 2
CINEMATOGRAPHY
Decisions, Decisions
How to keep inspired and surround yourself with the right creative partners. By Robert Scarborough csc
Chasing the Muse
By Lloyd Walton
CAMERAWORK
Handheld Camerawork
By Michael Rabiger
Organization and Naming Your Shots
Shot Lists from Pre-Production through Post-Production By Peter John Ross
AUDIO
Basic Audio Tips for Location Sound Recording
By Michael Tierno
VFX
Tricks for Working with Troubled Green Screen
By Lee Lanier
DOCUMENTARY
How to Maintain Sharp Focus
When Shooting Documentary Action
By Courtney Hermann
The Filmic Narrative
By Tony Stark
POST-PRODUCTION
How to Set Up Your Edit Workstation
By Shane Stanley
The Auto Track Selector in Resolve
By Bart Weiss
How an Editor Should Cut an Actor’s Performance
By Dustin Morrow
PROFESSOR’S PERSPECTIVE
How to Learn Filmmaking
By Peter Markham
FILM BUSINESS
KOVID KILLED KINO!
Compel Your Audience to Interact
By Anthony Straeger
Don’t Work Too Cheap
We Don’t Do This as a Hobby
By Fred Ginsburg, CAS, Ph.D.
How to Plan for a 360-Degree Movie Marketing Campaign
by Dr. Rajeev Kamineni
SCRIPTWRITING
The Winning Script
3 Important Fundamentals
By Alan C. Hueth
Rewriting Your TV Pilot
From First Draft to Second Draft
By Martie Cook
ART DEPARTMENT
The Typical Clichè of Producers Confusing Comics and Storyboard
Artist’s Perspective
By Giuseppe Cristiano
PRACTICE
Why You Need to Always Be Creating
By Jared Isham
FILMMAKERS FORUMS COMMUNITY
Zina Melekki
Transform Scenes with Music and Connect People with Stories
FEATURED FILM SCHOOL
Maine Media Workshops + College
New Filmmaking Intensives (Online) Offered in Multiple Languages
AWARDS
Winter Photo Contest Awards
Judged by Roy H. Wagner, ASC and M. David Mullen, ASC