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HOW-TO, Techniques, & Best Practices ChannelA Conversation with Cinematographer John Seale, ASCFormat and Digital Technologies. Q&A with John Seale, ASC. May 24, 2010, 08:49 read detail... Demystify the Bluescreen and Greenscreen Process, and Achieve Professional-Looking Composite Effects Try These Steps for Setting Up Simple Chroma Keying May 12, 2010, 09:49 read detail... Collaboration in Post Production Can Take in Many Forms Cara Silverman, at the StudentFilmmakers magazine headquarters in New York, candidly chats about her work on the two films, sharing a little bit of the behind-thescenes in post, including working with John Bailey, ASC. Silverman also shares a couple of editing tips and tells us what she really thinks about editing programs. May 10, 2010, 09:37 read detail... 17 Scene Reversal Ideas: Keep Your Audiences Guessing Almost every scene in your film should have a reversal to build up suspense. Reversals keep the audience guessing as to what is going to happen next, and pulls them into the story, prompting them to search for the new surprise. Once you understand reversals, you will see them in every good movie. May 10, 2010, 09:36 read detail... Jessica Oreck's Debut Documentary: Beetle Queen Conquers Tokyo Documentaries tell a story about the real world in which we live. And sometimes they tell us about the people making them, too. May 10, 2010, 09:34 read detail... Compressing Video for Mobile Devices: You "Can" Take It with You What it really boils down to is determining where you intend the final output to be delivered. Do you want it played on an iPod with video? That’s one codec. Do you want it to play on a mobile device? That’s a different codec. Pick a device, and I’ll give you a codec for it. May 4, 2010, 12:36 read detail... Final Cut Pro Editing Power Tips Types of Edits, High-Speed Overwrite Editing, Preventing the Destruction of Everything on Your Screen , 5 FCP Editing Techniques. May 4, 2010, 12:26 read detail... Ben Wu Discusses Shooting Docs On DV The making of the documentary, "Cross Your Eyes Keep Them Wide". May 4, 2010, 10:19 read detail... Directing for the Cut: Change of Distance, Change of Angle, and Action within the Scene It has often been said the best film directors came from a previous career as editors. One of the most valuable lessons a director can learn in the edit room is how to "direct for the cut."... May 4, 2010, 08:49 read detail... Capturing the Story for the HD Documentary Strong Bodies Fight “Want to see how we treat a snake bite?” asks Father Homrich. My cinematographer, John, and I look at each other with unadulterated enthusiasm and run to grab our gear struggling to keep up with the elderly priest. We had heard rumors of how poisonous snake bites are treated in this small, poor village of Bangladesh, but didn’t think that we would be so fortunate as to witness one. Mar 2, 2010, 16:24 read detail... |
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