Analyzing
and Replicating Lighting from Great Cinema and other Art with Peter Stein,
ASC
Peter Stein, ASC will show you how to recreate lighting setups, step by
step, with the following equipment:
- Fog machine with juice
- 650 fresnels with stands and scrims
- 300 Arris with stands and scrims
- 1K softlights with stands and eggcrates
- 4x2 kinoflo
- C stands
- sandbags
- 18x24 single net, double net
- 18x24 solid flags
- quad boxes
- 25ft extensions
- 1K variacs or 1K hand dimmers
- black wrap
- black and while show card
- gaffer's tape
Program Details:
- We will talk about learning from the masters, which is one of the
best ways to develop a good eye.
- We will review hard vs. soft light, the direction of the key
and the ratio of key to fill.
- Making the best use of architecture and windows, and lighting
backgrounds so as to add structural interest will be discussed.
- We will also illustrate the use of smoke, mist and dust to
add texture, and show examples from various films utilizing
these tools (including some over-use).
- We will then recreate some of these lighting setups, step
by step, while referencing the monitor through the use of the
DSLR camera.
- Some of the most important moments in film occur in close-ups. We
will talk about finding the best angle, and demonstrate
how to best light and compose a good close-up.
- A number of clips from memorable films with different "looks"
will be shown, along with paintings by old masters, such as Rembrandt
and Vermeer. The lighting will be broken down into understandable concepts.
- If time permits: we will talk about exterior lighting, light control
and the use of reflectors, and butterflies.
Who Should Attend:
All filmmakers who want to add to or improve their skill sets. Filmmakers,
Cinematographers, Camera Operators, Videographers, DSLR Shooters, Directors
and Producers. Testimonial "...In those
four hours I felt I was given more information than four semesters of film/tv
or photography classes. Thanks for sponsoring these workshops." -Jennifer
Davis-Lewis / Five Sisters and a Dog Productions
When: |
RE-SCHEDULED DATE:
Saturday, September 3, 2011, 1:00pm - 5:00pm |
Where: |
StudentFilmmakers.com Workshop Studio
1123 Broadway, Suite 307,
New York, NY 10010
(Enter via 1133 Broadway building entrance on weekends.) |
Schedule: |
12:30pm |
Check-in and Networking |
1:00pm-5:00pm |
Analyzing and Replicating Lighting from Great
Cinema and other Art, with Peter Stein, ASC |
Door Prizes: |
All
attendees will receive a complimentary copy of the screenwriting
book, "Writing the Fantasy Film." |
Cost: Discounts: |
$175.00. Get
$25 off online registration when you sign up today.
* Students w/ ID receive additional 10% off.
* Use Coupon Code CINE10 and get 10% off two or more
Cinematography Workshops with Peter Stein, ASC. |
As the Director of Photography on over 50 feature films, TV movies, and
documentaries, Peter Stein, ASC has photographed classic
cult films in various genres, including comedy and horror, as well as
major studio and independent releases, and noted documentaries.
"As a Director of Photography one should always go into a lighting
set-up with a firm plan in mind, but be ready to throw it out the window
if necessary. It is often the innumerable chance occurrences that happen
as the lighting progresses that are the stuff that brilliance is made
up of."
Both student and professional film and video makers are encouraged to
attend this continuing education workshop and exciting networking opportunity.
"With the new technologies at hand, current film students have
the chance to be the innovators creating the newest and most daring styles
in future filmmaking."
~Peter Stein, ASC
Among other horror genre films Peter Stein, ASC shot are Stephen King's
blockbuster hit Pet Sematary, C.H.U.D. and Steven King's
Graveyard Shift. He was the DP on two of Touchstone's children's
movies, Ernest Saves Christmas and Ernest Goes to Jail and
New Line's hit children's comedy Mr. Nanny starring Hulk Hogan
and Sherman Helmsley. Among other films he shot are Paramount's football
comedy Necessary Roughness with Scott Bakula, Robert Loggia and
Kathy Ireland, and Orion's A Great Wall, directed by Peter Wang,
the first Chinese/American co-production.
Peter Stein, ASC's TV films include Izzy and Moe, with Jackie
Gleason and Art Carney, The Con starring William Macy and Rebecca
De Mornay, The Last Fling with John Ritter and Connie Selleca,
Parent Trap Two with Haley Mills,and Private Contentment
with Peter Gallagher for PBS' American Playhouse - directed by Tony
Award winning director Vivian Matalon. Peter also lensed the groundbreaking
NBC special event mini-series Under Siege with E. G. Marshall,
Hal Holbrook, and Peter Strauss, and was nominated for 2 Emmy Awards.
He has photographed numerous documentaries such as the critically acclaimed
A Midwife's Tale for PBS' American Experience and the feature
documentary Just Crazy about Horses which played theatrically
in New York and LA. Among other documentary work is HBO's Laughs
and The Mystery of the Morro Castle. He also shot the PBS documentary
Tupperware which was the front cover story in theSunday NY TIMES
television section.
StudentFilmmakers.com
is dedicated to educating and connecting both new-and-emerging filmmakers
and working professionals in the motion picture industry.
http://networking.studentfilmmakers.com
serves as a community for filmmakers and members of the motion picture
industry to network with each other as well as reach our staff members
of StudentFilmmakers.com, workshop leaders and speakers, and company partners.
StudentFilmmakers.com offers practical seminars and interactive workshops
developed for industry and taught by leading industry professionals, university
professors, and award-winning filmmakers. Workshops feature Q&A sessions
with speakers, and short, intensified programs.
The Cinematography
Workshop Series with Peter Stein, ASC is presented by StudentFilmmakers.com.
Sponsorship opportunities are still available. Contact Kim Welch at 212.255.5458
or Jody Michelle Solis at 917.472.7849, or fill
out the online contact form. |